La siguiente resea est en Espaol e Ingls traducida con el apoyo de DeepL La versin leda es la traduccin al espaol por DemoniOtaku de Amanteanime En la primera parte su recta final es un conflicto en escalada entre dos poderes teniendo como motivo de lucha el mundo en ese caso la Academia. La segunda repite nuevamente el esquema con la diferencia que la historia no se desarrolla en el colegio su alcance ahora s corresponde a literalmente el mundo. La fundamentacin desde la parte previa es el sueo utpico de Tsukune de conciliar el mundo Youkai con el humano ms que quede claro es slo la excusa para lo que ha de ocurrir no es el abordaje. Tampoco quiere implicar que no existan pequeos atisbos de tal un ejemplo es la historia al comienzo. Es para indicar que al final no ser el centro temtico ms si la base para esa expansin del mundo de una forma ms literal. Adentrarse en terrenos completamente ajenos a la escuela o en el conocimiento de las otras organizaciones externas a La Academia es decir esa sociedad que se haba informado e intuido pero se mantena al margen. Los seores oscuros el verdadero poder de Fairy Tail las familias Chinas o los antiguos y trascendentales que son los vampiros. Ideas del universo que posiblemente escribi Ikeda ms no haba tenido la oportunidad de utilizarlas a gusto. En la segunda parte se permite exhibir toda esa mitologa el problema es que deba enlazarla con una narrativa. 440https://i.ur.com/YwEdPQ7.png No no es fallida de hecho el camino de Tsukune hacia convertirse en ese protagonista fuerte comn de los Harem sobre todo de la vertiente fantstica es ms que merecido. Sucede de a pasos requiere voluntad y supera sus debilidades con la ayuda de los dems. Ocurre en una estructurada secuencia evitando la repentina subida de nivel y por si fuera poco pese a que tambin es denso con sus sentimientos hacia el final alcanza una resolucin firme. No le puedo criticar. Ni tampoco a Moka quien fue el autntico centro absoluto de la trama correspondiendo a las vertientes sobre de quin es qu quiere llegar a ser y lo que espera de s misma adems del proceso en entender cmo ve a Tsuken de aliado y pareja un esfuerzo conjunto para alcanzar el entendimiento y estabilidad. No le puedo criticar. Tambin los secundarios tienen sus propios caminos e historias incluso varios de ellos terminan emparejados entre s hasta quienes parecan ser parte del harem cada quien tuvo una leccin y enseanza. Puede que se levante ms de una ceja en el final decidido para varias an as valoro ese esfuerzo por haberles dado esa correspondencia de una ruta. No le puedo criticar. 440https://i.ur.com/eDCMsTn.png Lo que s puedo criticar es el cmo se presentaron las cosas no soy Ikeda as que evidentemente desconozco que tanto estuvo o no planificado as que slo puedo desde mi posicin de lector volver a mi opinin de la primera temporada es decir no estuvo pensado. Los antagonistas aparecen conforme la trama los requiera destacando por el nivel de amenaza que representan el tpico caso de una fuerza inconcebible que nicamente aparece hasta ahora. Constituyendo un esquema narrativo simple una travesa para derrotar jefes en pro de llegar al comando final. Y que conlleva a otro inconveniente pese a construir esa ltima escaramuza en lujos de detalles narrativos su final nos debe. El cierre no es lo suficientemente redondo a lo que haba sido presentado hasta entonces y eso que le agrego pginas extras pero la solucin deba ser un captulo ntegro. Puede pasarse por alto el ritmo es bueno los hechos que suceden an si repentinos son interesantes y el dibujo es absolutamente genial una increble mejora a comparacin de la primera parte. En sus momentos ms Shonen es un absoluto arrebato de energa detalle y poder cada accin acarrea todo lo que debera convirtiendo captulos enteros en espectculos lstima que su fuerte no sea el diseo de personajes en las fases finales. En general absolutos aplausos a la evolucin que tuvo a nivel artstico. Es notable el disfrute de Ikeda en mostrar el mundo que tena por ofrecer aunque tuviera que realizar concesiones narrativas para conseguirlo. De ah que puede no pasar al examen riguroso sobre la lgica y secuencialidad de los sucesos ms estara errado en cunto a lo que se debera estar viendo porque su intencin es precisamente centrarnos en los caminos y personajes que ya conocamos en un contexto de mayor escala y epicidad y en ese sentido acert en la diana. 440https://i.ur.com/jdauxKx.png English In the first part its final stretch is an escalating conflict between two powers whose motive of struggle is the world in this case the Academy. The second part repeats the scheme again with the difference that the story doesnt take place in the school its scope now corresponds to literally the world. The foundation from the previous part is Tsukunes utopian dream of reconciling the Youkai world with the human one but to be clear its only the excuse for what is to happen itsnt the approach. Nor does it imply that there arent small glimpses of such an example is the story at the beginning. Its to indicate that in the end it wont be the thematic center but the basis for that expansion of the world in a more literal way. Entering into areas completely strange to the school or in the knowledge of other organizations outside the Academy thats that society that had been informed and intuited but remained on the sidelines. The dark lords the true power of Fairy Tail the Chinese families or the ancient and transcendental vampires. Ideas from the universe that Ikeda may have written but had not the opportunity to use them to his hearts content. In the second part he allows himself to exhibit all that mythology the problem is that he had to link it with a narrative. 440https://i.ur.com/Y8UPF9A.png No it is not flawed in fact Tsukunes path to becoming that common strong protagonist of the Harem especially the fantasy side is more than deserved. It happens in steps requires willpower and overcomes his weaknesses with the help of others. It happens in a structured sequence avoiding the sudden rise in level and if that wasnt enough despite also being dense with his feelings towards the end he reaches a firm resolution. I cant fault it. Nor to Moka who was the real absolute center of the plot corresponding to the aspects of who she is what she wants to become and what she expects of herself as well as the process of understanding how she sees Tsuken as an ally and partner a joint effort to reach understanding and stability. I cant fault her. Also the secondary characters have their own paths and stories even several of them end up paired with each other even those who seemed to be part of the harem each one had a lesson and teaching. It may raise more than one eyebrow at the ending decided for several still I appreciate that effort for giving them that one path correspondence. I cant fault it. 440https://i.ur.com/zm5rdUI.png What I can criticize is the way things were presented I am not Ikeda so obviously I dont know how much was or was not planned so I can only from my position as a reader go back to my opinion of the first season that is it was not thought out. The antagonists appear as the plot requires them standing out for the level of threat they represent the typical case of an inconceivable force that only appears so far. Constituting a simple narrative scheme a journey to defeat bosses in order to reach the final command. And that leads to another drawback despite building that last skirmish in luxurious narrative details its ending owes us. The closing is not sufficiently rounded to what had been presented until then even though I add extra pages but the solution should have been a complete chapter. It can be overlooked the rhythm is good the events that happen even if sudden are interesting and the drawing is absolutely great an incredible improvement compared to the first part. In its more Shonen moments it is an absolute outburst of energy detail and power each action carries everything it should turning entire chapters into spectacles too bad that its forte isnt the character design in the final stages. In general absolute applause to the evolution it had at the artistic level. It is remarkable Ikedas enjoyment in showing the world he had to offer even if he had to make narrative concessions to achieve it. Hence he may not pass the rigorous examination on the logic and sequentiality of the events but he would be wrong about what we should be seeing because his intention is precisely to focus on the paths and characters we already knew in a context of greater scale and epicness and in that sense he hit the bulls eye. 440https://i.ur.com/2KLOcBC.png